The project for the PARI brand is a classic 3D video in terms of technique and pipeline. The client wanted to infuse the video with the energy of sports flowing through the entire body without making it too "anatomical." Therefore, we came up with the concept of organ-robots. Since we did not need to invent an unusual approach technically, we focused on the animations and art direction themselves.

Together with Koshta Collective, we developed a visual toolkit for Major DOTA-2 championship, broadcasting from different parts of the world. We discovered the connection between locations by exploring visual imagery and constructing physical patterns that fit the narrative space of cybersport and DOTA-2 itself.

We participated in creating promotional materials for a visual novel called Devil's Terminal. We produced a teaser for the game in mixed media, using 2D and 3D animation, our grunge transitions, and several other techniques.

Our client, a brand that produces various goods including jams, tasked us with creating a video for a new product line. The concept was to depict the perfect trip as a living painting. This project is a complex mixed-media collage, combining handwork with neural stylization.

Music video for Musia Totibadze for the track Golosa. This project is also a directorial project by Toggle’s founder and creative director, Roman Kholodenko. The video concept developed by Toggle suggests that viewers will feel immersed in a computer game. We not only created the universe through which 3D-Musia moves but also filled the space with numerous unique objects, turning the video world into an exhibition of 3D art.

Our project for the basketball team. We blended live-action footage with puppet animation, taking inspiration from Monty Python.

We consider it brilliant when ideas and visual realization perfectly work together. So, this is exactly the case. Acid Hedgehog, daring mix of 2D and 3D techniques.

Ice cream commercial. It is that type of story when the brand is not scared of video and ideas mixing. We’ve done that just the way we like.

A new project with a fusion of different techniques. 3D, 2D, collage, footage styling, etc. We rushed into the experiment with virtual and physical spaces. They're interconnected and mixed. It's our way of looking at the vast world of football.

Straight forward and clean approach to the new logo and style developed by ESH Gruppa found its’ realization in a sharp 3d by free.bastard and finally alived by Toggle.

In this intro concept everything is born from one object. A bold example of implementing generative art, 2D and 3D.

Full CG production for a TV and digital campaign on Canadian market.

The down-cut of our craft motion design contribution to the video for Adobe and Adobe MAX to celebrate great winners illustrators.

A great opportunity to combine our director’s approach with an infinite graphics trip in the advertising campaign for Mango Insurance company

Conference opening video for Veeam — one of the market-leading company in B2B cloud storage and data management.

Sloy is a fashion app with augmented reality technology for which we created a commercial video.

In this video, where Toggle was responsible for both graphics and directing the shooting process, works of several contemporary artists are showcased, along with hidden references to their creations. The video, composed of live-action footage, 2D, 3D, and collages, was broadcast offline on digital billboards.

Digital campaign to promote a chain of sporting goods stores.

A video manifesto for Pepsico's energy drink brand, with art direction by Toggle. We were responsible for both the graphics on the screens visible in the video and the art direction of the graphics outside the screens. This project includes 2D collages from videos sent by the athletes featured in the video. Toggle adapted these materials to match the video's identity. For the screens, we developed generative graphics.

Our project for Veeam — one of the market-leading company in B2B cloud storage and data management.